Hi all!
Today I have awesome indie author Susan Kaye Quinn as a guest for a post-apocalyptic tea and chat, plus a BOOK GIVEAWAY!
Susan is a young adult author who grew up in California and, just like me, used to write stories for her friends instead of paying attention in class. (Though probably not starring David Bowie, like mine always seemed to.) But when it came to college, our paths definitely diverged! While I was busy dressing in black and filmmaking, she was becoming a rocket scientist. Like, for real. I'm talking degrees in Aerospace engineering and working for NASA type rocket scientist. How freaking cool is that?
In any case, she's the author of some great dystopian novels, including the Mindjack trilogy. And if that name doesn't intrigue you enough to just skip the interview and start reading the books alone - check out the cover and blurb:
Sixteen-year-old Kira Moore is a zero, someone who can't read thoughts or be read by others. Zeros are outcasts who can't be trusted, leaving her no chance with Raf, a regular mindreader and the best friend she secretly loves.
When she accidentally controls Raf's mind and nearly kills him, Kira tries to hide her frightening new ability from her family and an increasingly suspicious Raf. But lies tangle around her, and she's dragged deep into a hidden underworld of mindjackers, where having to mind control everyone she loves is just the beginning of the deadly choices before her.
Sounds intriguing, right? So pull up a chair and join us for a chat about post-apocalyptic worlds, mindjacking zombies and the freedome of being indie. I'm going to let Susan jump on in.
SUE:
*scoots chair closer to the table* Okay, I’ve activated a
thought-wave disruptor shield around the café, so we should be safe from any
evil mindjackers that might stop by for a latte. But I’m a little concerned
about bringing both our futuristic book-worlds together. I mean, you have
zombies, right? Do we need to fortify the door?
MARI: But of
course! After all, what self-respecting apocalypse doesn't have a few of the
walking dead wandering around? You did bring your double-barreled shotgun
right? Guns were outlawed in my world a few years ago by the government so I'm
not going to be much help in that department. Mostly we just hole up in the
local WalMart and pray for the best.
I know, I know, you're like "A WalMart?
Really?" But don't knock 'till you try it--turns out a WalMart has
everything you need to survive a zombie apocalypse.
Hmm.
I wonder if zombies' minds can be jacked? I mean, on the one hand they probably
wouldn't be able to put up much of a fight. On the other--is there enough gray
matter left to make use of?
SUE: Jacking
zombies – now there’s a thought. A rather nasty thought. I think I’d prefer
shooting them to diving into what’s left of their mindfield and getting lost in
the blood-lust-crazy there. *grimaces
and puts gun on the table* I’ll be sure
to double-tap if any make it through the door. *sips tea, black, no
milk, no sugar, none of that sissy stuff* Now, tell me, how does a
nice girl like you, who was doing quite well for herself with vampire books,
end up writing about post-apoc zombies? And now that you’ve jumped into the
indie publishing world with your backlist novel, do you think you’ll indie
publish follow-on works, making Tomorrow
Land into a series?
MARI: Not that
I don't love myself a good vampire (Team Spike!), but after writing eight books
in the series, I was feeling a bit like a zombie myself! Tomorrow Land was
originally published traditionally as part of Dorchester's Shomi line. Not sure
if you heard about all the badness that went down with the publisher's demise,
but let's just say it was about as pretty as I’d imagine a zombie mindjack to
be. I was one of the fortunate ones—who got their rights back for their books.
So I figured—why not take advantage of the awesomeness that is indie publishing
and make the book available again? Not to mention hopefully recoup some of my
lost royalties. Sigh.
As for a sequel, I’m thinking more of another book
set in the world rather than a pure sequel. I think a post-apocalyptic
wasteland just has so much potential! (That’s not weird, right?) *Looks
around a bit nervously* Ahem. You’re sure this disrupter
shield is sound?
In any case, I know readers love sequels and
spin-offs and that sort of thing. In fact, I see that as a distinct advantage
to indie publishing. You can give readers what they want, when they want it.
(Okay, maybe not exactly when!) Still, you don’t have to worry about a
publisher going out of business or just not wanting your series to continue.
The readers dictate—not the corporations!
When you started your Mindjack series – did you
always know it would be a trilogy?
SUE: As soon as I decided to
publish Open Minds, I knew it had to be a trilogy –
there was just too much of Kira’s story left to tell. In fact, that was one of
the reasons I chose the indie route –I wanted to write the rest of the trilogy,
and going through a publisher would have meant waiting to see if the first book
sold before writing the next two. And you’re exactly right that indie
publishing gives you so much freedom that way – which is how I ended up writing
three novellas for the series as well. Once readers (and writers!) get into a
world, they really want to play around in it for a while, and it’s great fun to
be able to give readers more of what they want!
And sorry to hear about the Great Publisher Meltdown,
but I’m glad you (and all authors these days) have that indie option. It really
opens up the possibilities. One thing I’ve found about indie publishing is that
it changes how I write – in the sense that I’m driven more by what moves me as
a writer, and less by what’s selling or what editors/agents are looking for.
For example, I’m almost done with the first draft of a steampunk fantasy
romance with a strong east-indian aesthetic. It’s a complete genre mashup, but
I love it! And when I’m done, hopefully readers will too. Another example: I
just had a story idea literally over the weekend. Three days later, I’m done
with the 11k novella. It’s something totally different from what I’ve written
before – darker, grittier – but I fully intend to polish it up and publish it
and possibly turn it into an episodic serial of novellas. A week ago, I had no
idea this would be in my writing plan for 2013, yet here it is… and in a few
weeks, it will probably be up on Amazon for sale. Then I can see if anyone else
likes it too.
I’ll be curious to see if your indie publishing experience
affects you as a writer this way too, as you get further into it! I know we
have more Tomorrow Land related works
coming down the pike, but what would be your dream project, if there were no
limits, no restraints on what you could write/publish?
MARI: Dream
project, huh? Well, I have this book called The Camelot Code. We call it my
cursed book because it's sold to two different traditional publishers over the
last 7 years and both of them basically shut down their YA lines before it
could be published. And then the third publisher we almost sold it to--I mean,
contract in hand!--backed out at the last second this fall. ARGH! The rest of
the trad publishers wouldn't touch it because it's a tween with fantasy
elements. Too old for middle grade, but too young for today's YA market - which
tends to gear toward older teens and darker subject matters. It really sucks,
too, because it's my dream project and I just know that it would find an
audience if only someone would give it a chance. I would indie publish it--and
who knows, maybe I should--but I'm not sure there's a market yet for indie
tween. The tweens I know, even if they have e-readers have to see the book in a
physical format, like at the library or in a bookstore--before they'll go
download it onto their kindles. They're just not trolling the lists online. I
know this will change in time, but for now, my beloved Camelot Code remains
under the bed. (Or, you know, a dusty computer
file.)
Sob
story aside, I am fortunate enough to be publishing my other dream project, a
trilogy called "Scorched" with Sourcebooks in September. It's
basically Terminator but with a dragon apocalypse instead of Skynet. I'm super
excited about that one as it combines what I love about fantasy novels with a
modern day sensibility.
Also - steampunk fantasy romance with east-indian
aesthetic? Um, awesome! I love hybrids. I love writing them, I love reading
them! And I love that indie publishing paves the way for more! Oh and I love
that I won't have to wait 2 1/2 years for it to be published. Because I'd like
to read it...um...tonight! You can hook that up, right? Too bad I can't just
jack it straight from your mind. I'm still waiting for the day when I can just
"think" a book straight into MS Word...
SUE: Ha! I guess maybe I
should stop building my
storyboard on Pinterest and get busy on finishing the book, eh? For
now, I still have to do it the old fashioned way,
fingers-to-keyboard.
Your
dream stories sound awesome (dragons! Yes! *nods sagely*). I think you're right
about the tween indie market not being quite there - kids still discover their
books through gatekeepers like teachers and librarians. But that's slowly changing.
My three boys each have their own ereaders - the time is coming when they will
browse the kid's bestseller lists just like they browse YouTube for the latest
Minecraft videos.
Thanks
so much for stopping by today and sharing your journey with us, and best of
luck with all your books!
Don't
forget to enter the giveaway for Susan's e-book and a signed copy of Blood Coven Vampires Volume One. And check out Susan online and buy her books. E-copies are only $2.99... that's less than a cup of coffee for an awesome book!
Susan's website
Open Minds on Amazon and Barnes and Noble
And lastly - after you finish entering THIS contest, you can hop over to Susan's blog and enter for a chance to win Tomorrow Land, as well!
a Rafflecopter giveaway
